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The HauntingRating: 5 - THE ORIGINAL AND BEST ADAPTATION OF SHIRLEY JACKSON'S NOVEL This original movie version of Shirley Jackson's highly esteemed novel "The Haunting of Hill House" is definitely the finer;it faithfully follows the novel and captures it's intended creepiness. Handsome Richard Johnson plays Doctor Markway (Montague in the book) who invites three people to work as his assistants while doing psychic research in an old New England house reputed to be haunted. Eleanor is lonely,timid and impressionable;she spent eleven years caring for her invalid mother and at 32,has never had a life of her own. Theodora is beautiful, bright and vivacious;conscience to her is an attribute which properly belongs to girl scouts-she's Eleanor's free-spirited opposite. The scene where the two women, trembling from the cold, clinging to each other in bed as SOMETHING is knocking at the bedroom door is genuinely chilling. When asked by Luke (Russ Tamblyn) and Dr.Markway what happened the two women look at each other in disbelief and Eleanor says "Nothing in particular. Someone just knocked on the door with a canonball, then laughed their fool head off when we would'nt let them in,but nothing out of the ordinary!". As Eleanor drifts slowly into dementia, it is obvious that the house becomes her lover. If "The Haunting" is viewed on television, it's effect is considerably enhanced if seen alone. Rating: 4 - Good horror film...Score: 80 (out of 100) I am inclined to say that PSYCHO (1960), THE INNOCENTS (1961), AND REPULSION (1965) are some of the best horror films of the sixties. Robert Wise's THE HAUNTING ranks up there too. Its a simple film about a haunted house. What makes this film with no special effects, gore, or blood so scary??? It makes use of a technique similar to Steven Spielberg's JAWS (1975) - no monster is ever seen or revealed until the end of the movie. The only trick here is that the monster of Hill House is NEVER seen. The ultimate underlying message is: things unseen are more scarier than those which are not. This film takes on the use of the psychological. Are the ghosts of Hill House real or apart of peoples' imagination? Professor John Markway (Richard Johnson) seeks to find the answer. He employs "witnesses" to the fact - Eleanor Lance (Julie Harris), Theodora (Claire Bloom), and Luke Sanderson (Russ Tamblyn). Eleanor is a displaced, repulsed neurotic - similar to Catherine Deneuve's character in Polankski's REPULSION (1965). She has decided to leave her sister's home, and spend a weekend in Hill House - just to get away from it all. Theodora is a lesbian/psychic with one goal - to sweep Eleanor off her feet. Sanderson is the true skeptic. He is a playboy who plans to inherit the house for his own greed. The film does have some scary moments. The cinematography is brilliant in black and white - appropriate for this type of movie. Finally, all I know is after I saw this film - I had fallen in love with the beautiful English actress, Claire Bloom. I never knew who she was until I saw this film. She certainly deserved an Oscar nomination for this movie. I will definately pay more attention to her career from now on. Her other movies include LIMELIGHT (1952), THE SPY WHO CAME IN FROM THE COLD (1965), and CRIMES AND MISDEMEANORS (1989), just to name a few. Her character doesn't have to look like Catherine Zeta-Jones (with exposed breasts) in order to make herself very sexy. Bloom's provocative mannerism and attitude do the job "purrrrfectly". Pros: Claire Bloom, atmosphere, cinematography Score: 80 (out of 100)
The Haunting |
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